STRINGS/TUNING: Fender F-150XL nickel wrap (.009. The rig King used at that gig consisted of a mid-'60s Gibson ES-355TD-SV with a stereo Varitone circuit and Maestro Vibrola tailpiece (with the vibrato arm removed. GUITAR: Custom “Frankenstein” Boogie Bodies ash Strat-style body and 21-fret bird’s eye maple neck, Gibson “PAF” humbucking bridge pickup, Volume: 10ĪMP: 1968 Marshall model 1959 Super Lead 100-watt head with Sylvania 6CA7 power tubes (Presence: 10, Bass: 10, Middle: 10, Treble: 10, Volume I: 10, Input I top left) into Marshall model 1960A 4x12 cabinet with Celestion G12M “greenback” speakers amp voltage dropped to 90 volts with VariacĮFFECTS: MXR Flanger (Manual: 4, Width: 4, Speed: 4, Regen: 10), MXR Phase 90 (Speed: 3) Many blues guitar fans consider the version of The Thrill Is Gone that King recorded September 10, 1970, at Cook County Jail in Chicago as one of his best performances of the song. And remember you don’t need a world-class guitar tone to play The White Stripes, raw and dirty benefits you here The Trooper Iron Maiden. Van Halen is an absolutely pivotal character in the guitar space. There are so many tones to recreate - especially if youre playing covers in a wedding band or recording wide ranging sessions - so you need a rig that can. The Phase 90 enhances the midrange body and texture of the rhythm parts during the intro and a few of the choruses, as well as the melodic solo played at 2:36. Click Here for tab for Hot for Teacher Van Halen. and famous tones such as those of Satriani, Van Halen, Rammstein, ZZ Top.
![guitar rig 5 player van halen tone guitar rig 5 player van halen tone](https://i.pinimg.com/originals/c9/81/13/c98113abb6d6044de36e6c3c36595705.jpg)
The tone of my guitar is very similar, but for some reason my sound quality sounds like Im listening to an extremely low bit rate audio file. Read trusted reviews from musicians for Native Instruments Guitar Rig 6. Check it out on YouTube and listen to the second half of it. The first link is a song called Eruption by Van Halen. The predominant sound is the Frankenstein stein through the Marshall with all controls set to 10 and the 4x12 close miked with a Shure SM57, with distance miking also capturing the natural ambience of the main performance room of Sunset Sound’s Studio II.Įd adds a few effects at key moments, such as his brief use of the Flanger to accentuate a string scrape at 1:07. It doesnt sound much like what guitar sounds like on the actual recordings of these songs. Ed’s main recording rig remained the same as it was on Van Halen’s previous two albums, consisting of his homemade “Frankenstein” guitar constructed from a Boogie Bodies Strat-style ash body and bird’s eye maple neck with a vintage Strat tremolo, Gibson PAF bridge humbucker and single volume control, his stalwart 1968 “plexi” Marshall Super Lead 100-watt head, a Marshall 1960A 4x12 cabinet with the Tolex stripped off and a pair of MXR pedals – a Flanger and Phase 90.Įd used Sylvania 6CA7 tubes (the American equivalent of British E元4 tubes) in the Marshall head, which provide more headroom and compress later than E元4s, and he plugged the Marshall into a Variac to drop the input voltage around 90 volts.